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Notwithstanding the current Western skepticism following the recent economic troubles in East Asia, China's performance must be considered no less than an economic miracle. Agriculture has played a central role in that miracle.

When reforms began in 1978, China was one of the poorest countries in the world, with 60 percent of the 1 billion population living below poverty and earning less than $1 a day. Almost all of the poor were in the agricultural sector, which provided livelihood to nearly 75% of the total population.

For several preceding decades China had gone through cataclysmic events, e.g., the collapse of an imperial state, foreign invasion, civil war, followed by the rise of communism, the Great Leap Forward and the Cultural Revolution. Since 1978, however, China has been in the midst of two important transitions, from a rural to an urban society and from a command economy to a market based one. The first transition would be unremarkable were it not for China's vast size, its past control of urbanization and unprecedented speed of its industrialization. China has experienced one of the fastest rates of agricultural and overall economic growth. At 1.2 billion China's population easily exceeds the combined populations of sub-Saharan Africa and Latin America and its agricultural growth of 6 percent and industrial growth of over 8 percent per capita, for two full decades (from 1978 to 1997), has also been remarkable for its speed and duration.

Its transition to a market economy has been unique for its combination of experimentation and incremental reforms leading to rapid progress in several areas, although agriculture, which was a clear leader in reforms, now lags behind other sectors.

Since 1978 China has lifted over 200 million people out of poverty, an unprecedented decline. Again agriculture has played an important role in poverty reduction. By international standards, China's social indicators as reflected in close to universal access to primary education, low infant mortality and high life expectancy have been outliers, in view of China's low initial per capita income (See Table 1).

China's integration with the world economy has advanced rapidly, leading to a strong external position including rapid export growth and reserves estimated to be well over $100 billion in 1996. China has essentially privatized farming, liberalized markets for many goods and services and intensified competition in industry while introducing modern macroeconomic management. Both the transitions to urbanization and liberalized economies have taken a long time in most industrialized and currently developing countries. It took the UK 58 years (from 1780 to 1838) to double per capita incomes, the US 47 years (from 1839 to 1886) Japan 34 years (from 1885 to 1919) and Korea 11 years (1966 to 1977). China has doubled its income twice in periods of 10 years each (1978 to 1996). Whereas liberalization of the economy has also been fraught with many risks and set backs in eastern block countries, China has telescoped both these in a relatively short period and done so successfully.

China is the home to the richest and oldest heritage of art & literature in the world. Some of the famous works have been translated into foreign languages but most of them are not translated or non-translatable. Thus they are unknown to the outside world.

Calligraphy is regarded as the highest form of visual arts in China and the neighboring states such as Japan and Korea, of which their culture are greatly influenced by China. Artists expressed their thought, imagination and feeling in calligraphy using only brushes, ink and paper. Chinese paintings are usually accomplished with calligraphy to name the title of the work.

Chinese painting in ancient time is not as colorful as the western painting. They are, just like calligraphy, using brushes, ink and paper. Color plays very minor role in a good painting. Although nature, mountain, human and other beings are the subjects of the painting, the main themes of the art works are purposed to reflecting artist's imagination and thoughts. Chinese painting seldom resembles the true appearance of the subject but through the existence of the subject and the environment to bring the viewer into artist inside world. Music, chess, poetry and visual arts are the four main measurements for all scholars. Many of the artists were senior government officers. The poets written in different stages of Chinese history reflected the true political and social structure at that time. The four most popular literatures in China are " The dream of the red chamber ", "Water margin", " The journey to the west" and "Story of west chamber". All these have been translated into foreign languages. There are many works in literature, poetry, philosophies and medicine have not been translated and thus not accessible to foreigners. ( Romance of Three Kingdoms , The Legend of the White Snake ).

One of the most talk-about Chinese ancient works is Yi-jing or I-Ching . For people interested in this subject, there are many international study groups very active in this area. 

Chinese heritages are also reflected in music instruments, Chinese operas, music, vessels, jay, sculptures and other art forms. A lot of these were used as funerary objects and China has been continuously making new discoveries of these sites that again and again confirms that Chinese even from the early days had developed a very civilized and cultured society.

China has very rich heritages from their minority groups, which each of them has own form of visual arts, performance arts and music. Chinese, Hen or minority groups, are living together peacefully in a nation with very colorful culture of different varieties.

Chinese will share their heritages with other nations with more and more performance, exhibitions and translations to introduce Chinese culture, arts, music and philosophies. Through these activities, better understanding and appreciation of Chinese culture and thinking can be achieved.